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Features > December 8, 2005 > Web Only

The Rise of Professional Journalism (cont’d)

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A return to explicit partisanship?

Some have concluded, after a rigorous accounting of the flaws in professional journalism, that we would be far better to return to a more explicitly partisan form of journalism. Let’s cut the flawed pretense of neutrality and professionalism, the reasoning goes, and let all sides have at it. The problem with this argument is that it accepts the premise that the type of professional journalism that emerged in the United States is the only type possible, and the only alternative to it is explicit partisanship. In fact, there was a major debate in the 1930s over what constituted professional journalism between the newly formed journalists’ union, the Newspaper Guild, and the press barons. To George Seldes and Heywood Broun of the Newspaper Guild, the reliance upon official sources and the internalization of the owners’ biases was anathema to genuine professional journalism. They argued that a truly independent journalism required journalists to stand outside of partisan institutions, assuming the perspective of those outside of power. As the legendary expression goes, journalism should “afflict the comfortable and comfort the afflicted.”

For Seldes’s vision of independent professional journalism to take hold, it would require that journalists use their union to prevent owners from having any control over the editorial contents of the paper, to make the Chinese Wall impermeable, and for the staff to be accountable directly to the public. Unfortunately, Seldes and the Newspaper Guild lost this fight to the extent it was ever much in play. By the 1940s the Guild became a conventional trade union, and what we know as professional journalism was on the verge of being adopted by all U.S. news media with the exception of a few cranky holdouts, like William Loeb in New Hampshire. But the Seldes vision of independent professional journalism has survived on the margins, in the work of journalists such as Seymour Hersh, Bill Moyers, Charles Lewis, and Amy Goodman, to mention but a few. It is dismissed as partisan by those who dislike the glaring light of public attention upon those in power, and because sympathy with those out of power is regarded as unacceptably ideological. But what makes this journalism so powerful is that it actually applies the same hard look at all in power regardless of party affiliation.

Professional journalism enjoyed a golden age of sorts in the late 1960s and 1970s. Although there was sharp criticism of mainstream journalism during this period in the alternative press, and in journalism reviews edited by working reporters, the resources, autonomy, and institutional strength of professional journalism were arguably at their peak during these years. On the heels of the Watergate scandal and the Nixon resignation, professional journalism enjoyed considerable prestige and was regarded as a central force for good in the nation. In the classic 1970s film drama Three Days of the Condor, the film ends with Robert Redford’s character entering the New York Times building to turn over his evidence of government chicanery. The insinuation was that journalists would slay the dragon and we would all live happily ever after.

A more contemporary Hollywood drama on journalism, The Insider, a few years ago told the true story of how management pressure led CBS News to spike an interview with a tobacco industry whistle-blower. Today, the expectation that journalists could or would provide a happy ending turns out to be unrealistic, unless the film is a farce.

The commercial assault on journalism

Since the 1970s, professional journalism has been under sharp attack on two fronts. First, a wave of media consolidation and conglomeration combined with loosened federal regulations unleashed a commercial attack on the autonomy of professional journalism. Increasingly, the deal between media owners and journalists—the Chinese Wall separating church and state, commercial interests from journalistic values—no longer made as much business sense to the owners. Why should they lavish resources on news divisions unless those divisions generated the same returns as the other branches of the corporate empire? After all, the argument went, this is a business, not a charity, which must be accountable to shareholders’ needs for profit maximization above all else. If the market does not encourage journalism, then people must not want or need journalism, or at least the quaint old journalism of yesteryear. Because the deal between owners and journalists was never in writing, it has eroded under steady commercial pressure.

Understood in this context, much of what has transpired in journalism over the past two or three decades makes sense. On the one hand, there has been a decrease in resources for journalism. On the other hand, journalism standards for what is considered a legitimate story have gradually transformed to incorporate the newly commercialized environment. All in all, the autonomy of professional journalism is disappearing in a manner similar to the Amazon rainforest or the ozone layer.

The reduction in resources for journalism has been widely chronicled. It means many fewer resources for investigative reporting. Roberta Baskin, who has won seventy-five awards and two Peabodys with ABC and CBS, among others, says that investigative journalism became the first area cut over the past two decades as corporate values conquered the newsroom. Moreover, investigative journalism went from being a protected and encouraged entity to something viewed by corporate managers with suspicion. “The lawyers for the media firms have always checked our stories for possible legal issues,” Baskin states. “But whereas the lawyers were once sympathetic, playing an advocacy role to the journalists and trying to get their stories on the air, now they’re representing the perspective of the owners, that investigative journalism is a lot of trouble and the less of it the better.” As Charles Lewis has noted, much of what passes for investigative journalism today simply involves an insider leaking a story to a reporter.

International coverage is also on the kill list. Expensive correspondents produce lots of red ink and very little black ink. Veteran CBS News foreign correspondent Tom Fenton wrote a devastating account of the decline of international coverage in the U.S. media, especially television news, in his 2005 book, Bad News. Fenton notes that the amount of coverage in U.S. newspapers and on TV news devoted to foreign affairs dropped by 70 to 80 percent in the 1980s and 1990s. Fenton outlines in depressing detail the utter lack of interest corporate media executives have in covering the world. By the time the 9/11 attacks occurred, the news media had left the American public with no grounding to evaluate what had taken place and why. An American arguably had to devote enormous attention to scouring obscure sites on the Internet or pursue an advanced degree in international politics in order to have the same sense of the world that many Europeans had from exposure to their mainstream media. And despite a lot of hot air immediately following the 9/11 attacks that the news media would begin to cover the world again, such rhetoric was never taken seriously by corporate media managers.

The reduction in the number of reporters overall means increased reliance upon public relations news releases as the basis for news stories. On television, journalism is replaced by uninformed punditry and pointless prognostication, an inexpensive and entertaining way to maximize profit, but nothing remotely close to journalism. Indeed, the real revolution brought on by the FOX News Channel is less its turn to partisanship as it is its replacement of costly journalism with relatively inexpensive pundit blowhards. It is a winning business model, and highly attractive to all media owners. The other alternative is the outright elimination of news, as has happened on many radio stations and on a growing number of television stations. In town after town, there are barely a handful of journalists on the job, and issues of considerable importance get only cursory mention or no treatment whatsoever.

This means that the traditional malady of professional journalism, that it basically reports debates between elites, becomes a cancer. It is one thing to report on debates and then do some investigation, some journalism, to ascertain what the truth of the matter is. It is quite another thing to report on debates and competing claims and wash one’s hands of any responsibility to examine the claims. In journalism today it is increasingly the rule that if a journalist challenges a politician’s claim, they are accused of being partisan, which is anathema. It is left to the politician’s opponent to make the challenge and produce the evidence, not the journalist. But since a political opponent can always be dismissed as partisan, a politician can lie with impunity. Journalists spend much more time evaluating whether politicians can successfully spin the public—i.e., lie—than they do holding politicians responsible for lying. Our journalistic environment today is a liar’s paradise.

This excerpt from Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy by Robert McChesney and John Nichols was published with the permission of The New Press.
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  • Reader Comments

    I can’t wait to dig up this book and read it, esp. the Fenton book cited. While expense was certainly one reason why international journalism declined in the 80s and 90s, my experience as a freelancer was different: Lack of interest, period. A freelancer doesn’t really cost the printing medium anything extra. I had good subjects, ranging from real-life from East Germany, to solid evidence of the Iron Curtain coming apart in Hungary, from controversial atomic plants, to all sorts of interesting technical stuff. Believe me: There was NO INTEREST. It was foreign, it was different from waht the editors expected or wanted.

    So I would say, from my experience, that it was the editors who changed in the 80s and 90s, becoming highly conservative in their mindset, not to say craven, the readership was changing as well, the USA, in a word, was beginning its path back to isolationism.

    Posted by Talleyrand on Dec 8, 2005 at 4:02 PM

    Great Article, its cleared up a lot of issues I’ve been having recently with paper.  Sometimes too much fibre really stalls my system. 

    Seriously though, with the election coming, I finally realized that my daily read, the Globe and Mail, is simply a Liberal mouthpiece.  Suprised I didn’t see it sooner.  I still like the coverage but what gets me are their carefuly written surveys predicting the winner.  Liberals still on top despite scandal.  My partisan news predicts the NDP are going to win a minority government.

    Posted by VikiBabu on Dec 9, 2005 at 9:06 AM

    Well said. I’m one of those people who scouts the internet for foreign papers to get not only world news but also a different slant on U.S. news. That slant is not always unbiased, of course, but it does add a dimension we’re missing here and gives a clearer picture of attitudes toward us that our politicians and media would prefer we didn’t see.  I also live near the Canadian border and sometimes catch news on Canadian tv.  A nice balance to some of our more hysterical and overblown U.S. reportage.

    IslandMolly

    Posted by islandmolly on Dec 10, 2005 at 12:24 PM

    There is no such thing as unbiased news, really, since even omissions create bias, nolens volens; But indeed, having various viewpoints does help readers get a somewhat more holistic view of events. It’s more than just plonking down a few divergent views on a particular topic, however, it’s often a cultural thing, a completely different approach. But US news (and my experience mentioned above confirms this) is designed often in a Hollywood fashion, that is it needs specific elements and the characters are often typecast. Thus, Africa is: famine, massacres, AIDS. Europe in general is sleazy philosophers, endless thinking and fairly freewheeling sex. I tried to sell an article on eco-tourism on Zanzibar: No way. African film? No one has ever heard of it. African literature? The British might know people like Tutuola or Achebe. In America --- Blank. I dare not mention Moslems… They’ve been terribly manhandled by the press these past few years.

    This is not rank ignorance, it is insularity rather, and the news media tend to support it. So yes, a news mix is good. And having a proper army of foreign correspondents who know the countries they are covering and, better yet, the languages spoken in those countries would be a real boon to the news media. But are they really interested in that or are they interested rather in turning a buck...?

    (PS: I used to listen to the CBC as well on shortwave).

    Posted by Talleyrand on Dec 10, 2005 at 2:21 PM

    Great article, I think we really need to forge and support a media system that is independent of power.

    Check this “Independent Media Marketplace” I recently came across:
    http://imediamarketplace.org

    I’m not sure how but we need to significantly expand the audience of current progressive independent media outlets and producers. Seems like there is so much out there, but so many just do not know about it, or realize the problem with the corporate media.

    Posted by ryaninfo on Dec 10, 2005 at 4:32 PM
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