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HEAD FOR THE HILLS

By Joshua Rothkopf

In dreams, as the song goes, David Lynch walks and talks with you. He’s by now our premiere hypnotist—a Hitchcock off the narrative hinges—and Mulholland Drive is his Vertigo (if you can imagine a Vertigo that’s all vertigo). Once again the subject is play-acting, with Hollywood’s hanging gardens subbing in naturally for those Golden Gate psycho-vistas. And the anxiety comes not… return to article

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