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A Massacre in 3/4 Time

Waltz with Bashir is hallucinatory, relentless, and amazing.

By Michael Atkinson

Arguably the most unique film to come out of any global corner in 2008, filmmaker Ari Folman’s Waltz with Bashir can be defined, just on its surface, as a head-shaking fugue between social documentary and digitally animated epic. But as you’d expect, given the inherent contradictions, it is significantly more: It’s Israeli, for one thing, and it’s a direct cinematic address… return to article

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