At last year’s Sundance Film Festival, an angry audience member stood up after the third screening of a film charting four Asian-American teenagers’ descent into petty crime, drugs and murder. “Why would you,” the man addressed Justin Lin, the film’s director, “make a film that is so empty [and] amoral for Asian-Americans?” Bedlam uncharacteristic of indie film’s premiere glamfest ensued, out… return to article
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