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Smash and Grab

By Joshua Rothkopf

Ang Lee’s The Hulk is the kind of rambling, overstuffed psychodrama that only a true artist could create. Reportedly, the picture wasn’t test-screened, a mark of Lee’s power after Crouching Tiger, Hidden Dragon, a power he richly deserved. The Hulk has passages of gorgeous abstraction—montages of deep purple jellyfish, spiky lichens, and green, cellular goings-on—as well as an abundance of deadening… return to article

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