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Dear Reader,

HBOs acclaimed drama "The Wire" will end its fifth and final breathtaking season on March 9, much to the chagrin of the entire In These Times staff. In our March issue, Associate Editor Brian Cook articulates the hidden joy we find inside the show's layered and often grim depiction of life in fictional Baltimore.

Its characters are almost lovingly drawn: complex, sympathetic, flawed, human. The dialogue is not only painstakingly realistic, but often wildly funny. The performancesfrom an ensemble cast of more than 70 actorsחare uniformly excellent. In this way, "The Wire" suggests an answer to the intractable social problems it details: If we approached those problems with the same care, attention to detail, passion, intelligence and love as its creators collectively bring to the show, the world would be a better place.
With the series coming to a close, we asked Cook to highlight one of his favorite scenes from the series' early years:

Click here to read Joys of "The Wire" from our March issue.

Although our Sunday nights are reserved for "The Wire," In These Times has not ignored the presidential primary race. Our March cover story by Erica Falk explains how historically, the media has held a strong bias against female presidential candidates.

Despite striking advances over the last century in womens social and political rights, and in attitudes about women in politics, press coverage of women candidates is not much better today than it was in 1872. The most significant consequence of this is not that, should a woman run, the press would make it less likely for her to win. Rather, the real problem is that such press coverage may make women less likely to run.

For more, click here to read Cutting Women Out.

Finally, our Assistant Publisher Jarrett Dapier is looking for some help in our office and wanted to pass along this message to our Chicago readers:

We appreciate all your support.

Yours Truly,

Adam Doster, senior editor and acting Web editor

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